Peter Stichbury
Grand Guignol
11 June — 18 July 2026
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Peter Stichbury, Talos, 2023, Oil on linen, 950 x 1500mm
Peter Stichbury, Talos, 2023, Oil on linen, 950 x 1500mm
Peter Stichbury, The Mechanical Sorrows of Maud, 2026, Oil on linen, 770 x 610mm
Peter Stichbury, Blanche Battelle (The Manchurian), 2026, Oil on linen, 1020 x 770mm
Peter Stichbury, Minor Deities: Standard Deviation, 2025, Oil on linen, 775 x 600mm
Peter Stichbury, LANTERN (Localised Anthropogenic Reality Engineering Node), 2025, Oil on linen, 775 x 600mm
Peter Stichbury, SCION (Synthetic Carnal Interface For Ontological Neuromodulation), 2025, Oil on linen, 775 x 600mm
Peter Stichbury, Untitled, 2026, Watercolour on paper, 400 x 300mm (Paper size); 600 x 490 x 36mm (Framed)
Peter Stichbury, Untitled, 2026, Watercolour on paper, 400 x 300mm (Paper size); 600 x 490 x 36mm (Framed)
Peter Stichbury, Untitled, 2026, Watercolour on paper, 400 x 300mm (Paper size); 600 x 490 x 36mm (Framed)
Peter Stichbury, Untitled, 2026, Watercolour on paper, 300 x 400mm (Paper size); 500 x 595 x 36mm (Framed)
Peter Stichbury, Untitled, 2026, Watercolour on paper, 400 x 300mm (Paper size); 600 x 490 x 36mm (Framed)
Peter Stichbury, Untitled, 2026, Watercolour on paper, 400 x 300mm (Paper size); 600 x 490 x 36mm (Framed)
Peter Stichbury
Grand Guignol
11 June — 18 July 2026
Grand Guignol brings together new and recent paintings which reflect on human consciousness in an age increasingly shaped by artificial intelligence. As the boundaries between human cognition, artificial systems, and constructed realities become progressively more porous, emerging technologies subtly reshape and recalibrate the subject’s experience of self and world. These paintings consider how the resulting distortions, mutations, and grotesqueries unfold less as spectacle than as quiet psychological transformation.
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